HAND-GALLOP The hand-gallop is performed with a long, free, ground covering stride

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Max mini muffins (4pc in box) - Natural Horse treats - For the Horse Horses-store.com HAND-GALLOP The hand-gallop is performed with a long, free, ground covering stride

Show Hack effective 12/1/12 4 no loss of forward propulsion, straightness, or too prolonged a period of suspension or be too slow.

The collected trot should remain straight and true showing light, springy, cadenced steps and forward movement in a balanced manner.

Extended Trot Maintaining the same cadence and performing at medium speed, the horse lengthens its stride as a result of greater impulsion from the hindquarters in the extended trot.

The horse should remain light in the rider’s hand as it lengthens its frame.

The rider is posting.

The extended trot should show considerable length of stride without pulling down on the rider’s hands or losing balance and rhythm.

The brilliance of the extended trot depends upon an energetic thrust from the hindquarters and a distinct forward swinging movement of the shoulders.

The ground covered will vary among horses due to the difference in natural length of stride and conformation.

Speed and high knee action should not be determining factors.

However, the quality of the extended trot and trueness of gait of each individual should be evaluated.

CANTER The canter is a three-beat gait: straight on both leads and smooth.

Normal Canter The normal canter has light, even strides and should be moved into without hesitation.

The horse should show a moderately arched neck, suited to its own conformation, should maintain light contact on the bit and show impulsion, balance and engagement.

The horse’s back must be relaxed and supple allowing the hindquarters to reach under and work with moderate power.

The sequence of footfalls for a canter on the right lead are (1) left hind, (2) right hind and left fore, (3) right fore.

Collected Canter Marked by the lightness of the forehand and the engagement of the hindquarters, the collected canter is characterized by supple, free shoulders.

The neck is more raised and arched than in a normal canter, as the head approaches the vertical line while never moving behind it.

The collected canter should show a proud posture giving the impression of cantering uphill.

The horse becomes more engaged as the hindquarters reach further underneath the body, allowing the neck and shoulders to elevate by lifting itself at the withers.

The collected canter should not just be slower, and slower is not always better.

The quality and trueness of the gait must be evaluated.

The collected canter must maintain a clear three-beat, remaining straight with activity and drive.

Extended Canter Maintaining the same cadence, the horse lengthens its stride4 as a result of greater impulsion from the hindquarters in the extended canter.

The horse should remain light in the rider’s hand as it lengthens its frame.

The extended canter should show a longer stride due to greater impulsion or thrust from the hindquarters, propelling itself forward.

The horse’s neck and back may stretch slightly as it reaches for more ground, but must never pull downward or become out of balance onto the forehand.

Speed is not the determining factor when judging the extended canter.

Quality of gait, responsiveness to the Show Hack effective 12/1/12 5 rider, willingness to go forward while remaining calm, and maintaining the cadence of the canter should be considered when evaluating the extended canter.

HAND-GALLOP The hand-gallop is performed with a long, free, ground covering stride.

The amount of ground covered may vary between horses due to differences in natural length of stride.

The distinction between the hand-gallop and the extended canter is that the extended canter is the ultimate linear extension of stride within the hand of the rider while the hand-gallop is a looser, more free elongation of stride and frame of the horse.

A decided lengthening of stride should be shown while the horse remains controlled, mannerly, correct and straight on both leads.

Extreme speed is penalized.

The hand-gallop is not just a faster extended canter, but a true elongation or lengthening of the horse’s stride and frame.

The hindquarters should reach well underneath the horse with long, powerful strides, the shoulders should reach forward freely and the neck and back should show stretch as the horse truly moves to a hand-gallop.

The whole horse should have a longer appearance.

The horse must remain balanced, obedient, calm and light in the rider’s hand while actually reaching forward to a true hand-gallop.

FALL Entries will be eliminated by fall of horse or rider during the class.

APPOINTMENTS The bridle shall be of light show type; either single snaffle, double (full) bridle or pelham.

Kimberwicke bit is acceptable.

Certain bits may not be discriminated against as long as they are acceptable bits.

The judge must not have any preconceived ideas as to which bits are more desirable or have personal preference.

The exhibitor is allowed to choose the big most appropriate for that horse and each horse should be judged as an individual according to the performance it is giving and how it is presented, not by the bit it is wearing.

Browbands and cavesons other than hunter or dressage types are prohibited.

Unconventional tack, such as figure eight, drop or flash nosebands are not permitted.

English saddles of any type are allowed.

Martingales, breast plates or breast collars are not allowed.

Spurs, whip or crop are optional at the exhibitor’s discretion.

ATTIRE Acceptable Hack attire is required.

Acceptable attire consists of a conservatively colored coat, breeches and boots.

A conservatively colored hunting cap, derby, or protective headgear is mandatory.

Formal attire consisting of white breeches, a top hat and tails or shadbelly coat, may be worn; it is usual to wear such attire after 6:00 p.m.

Or in Championship classes.

Horses may be shown with braided mane and/or tail, but it is not required.

Decorations are prohibited.

Braided manes are usual; however, tails usually are not braided if the mane is not braided.

SHOW HACK CLASS SPECIFICATIONS Manners Manners are the conduct and behavior with which the horse performs.

Manners are evidenced by obedience and responsiveness to the rider and a willingness to be guided and controlled.

A well-mannered horse accepts its surroundings and other horses in the arena. Show Hack effective 12/1/12 6 Performance Performance is the physical act of doing all of the gaits, the transitions from one gait to another, the collected, normal and extended gaits, and the halt.

The execution or accomplishment of carrying out all the requirements of the class constitutes performance.

Quality A quality horse possesses the presence, carriage, athleticism, balance and strength required to perform effortlessly and with finesse.

A quality horse is pleasing to the eye with a high degree of excellence, depth of conditioning and muscle tone.

Conformation Conformation is the horse’s correct structural form as it relates to the functions and performance of a Show Hack horse.

English Show Hack classes will be judged by the above definitions/specifications in this order: OPEN, MAIDEN, NOVICE, LIMIT, STALLIONS, MARES, GELDINGS, JUNIOR HORSE, ATR, AATR, JTR, AOTR, AAOTR, JOTR, LADIES, GENTLEMEN.

To be shown at a walk, trot, canter, and hand gallop; collected and extended and normal gaits to be called for, to stand quietly and back readily.

To be judged on manners, performance, quality and conformation.

CHAMPIONSHIP.

To be eligible, horse must have been entered, shown, and judged in designated qualifying class in the Arabian Show Hack section at that competition.

To be shown at a walk, trot, canter, and hand gallop; collected and extended and normal gaits to be called for, to stand quietly and back readily.

To be judged on manners, performance, quality and conformation. FAULTS Bad Manners Bad manners include wringing tail, pinned ears, cutting to the center of the arena, balking, bolting kicking, bucking, gapping on the bit, and not responding to the rider.

Bad Attitude A bad attitude is indicated by sour ears, swishing tail, avoiding contact with the big, not performing with ease, smoothness and confidence, stress or agitation, resistance.

Poor Performance Poor performance includes wrong leads, breaking gait, resistance, rough or abrupt transitions, heavy on the rider’s hands, lack of response to the rider’s aids.

Untrue Gaits Untrue gaits include uneven steps, out of cadence or rhythm.

Failure to Maintain Light Contact Failure to maintain light contact includes pulling down or pulling too heavily on the reins or behind the big with loose reins or vertical position. Show Hack effective 12/1/12 7 Failure to Maintain Quality of Gaits Failure to maintain quality of gaits includes being too slow, or lack of impulsion or engagement, going too fast, going downhill, being out of balance, or trailing out behind.

Lack of Straightness in Gaits, Tracking Crooked, Haunches to the Inside Abrupt, Rough Transitions CREDITS Good manners and good attitude Good performance Balance and cadence Smooth, clear, accurate transitions True, quality gaits, straight and even Maintaining light contact Presence and self-carriage Brilliance, animation, vitality Obedience and responsiveness English Show Hack is not a fault and out class.

You should not try and trick the exhibitor into a mistake by calling for the gaits in an unrealistic manner.

The gaits and transitions should be called for in a manner which allows you to properly evaluate the performance of the horse, the quality of gaits and the execution of transitions.

Calling the gaits properly will allow you to see which horses remain supple, balanced, cadenced and obedient without resistance to the rider.

Transitions should be clear and immediate.

The definition and accuracy of the transitions should be judged.

Normal gaits should be free and easy.

When asked for a collected gait, you should see the horse’s haunch drop under, the back ground, the hocks bend and step under, the withers, shoulders and neck lift and steps become shorter and more cadenced.

When asked to extend a gait, the stride lengthens, the neck and back stretches slightly, the horse drives with powerful steps from behind covering more ground remaining light in the rider’s hand and never losing balance.

As a rule of thumb, allow the horses to move into a normal gait, then ask for collected or extended transitions.

It is acceptable to move from a collected gait to another gait, but it is not acceptable to call for a canter from the extended trot.

Use logic when judging and calling the gaits and make sure the class flows smoothly.

Remember, you are not there to trick the exhibitor.

The winner should be the horse that correctly does the class requirements with animation, vitality and a bit of arrogance.

The winner is very well trained with impeccable manners, a brilliant attitude and dignified presence.

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    Horses-Store.com and  HAND-GALLOP The hand-gallop is performed with a long, free, ground covering stride
    Horses-Store.com - HAND-GALLOP The hand-gallop is performed with a long, free, ground covering stride